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Kaina – It Was A Home (City Slang)
by Eddie Sayago
There is a chance that you have come across a song (or two, or so many more) that you enjoy and did not realize that it's either been covered by someone else or is a cover itself. We hope that this series allows you to appreciate both the original and the covers they have inspired, and to seek out and enjoy new music in the process.
Here we take a look at one of Hank Williams’ most memorable songs and two different covers by two of the most influential male crooners America has ever produced.
Despite his short life (he died on New Year’s Day 1953 at age 29), Hank Williams accomplished more as a musician than most other artists who live twice as long.
Arguably America’s first country music superstar, Williams had written/co-written and recorded over 160 songs over the course of a decade, with 35 of them becoming Top 10 hits on the Country Charts (and 11 of them going to #1).
“Cold, Cold Heart” was actually a B-Side to a more upbeat single, “Dear John” (a very downer title, if one is familiar with “Dear John” letters/stories). “Cold, Cold Heart” is by far the more memorable of the two songs released on that record in February 1951, quickly becoming a #1 hit and becoming a popular song to cover by other artists.
Though the song could apply to any couple going through hardship, a line in the first verse, “A memory from your lonesome past keeps us so far apart”, references an abortion that Williams’ first wife, Audrey, had that may have been from an extramartial affair.
Hank also had affairs of his own, eventually divorcing Audrey to marry Billie Jean Horton–who later had an affair with Johnny Cash–shortly before his death in October 1952. Horton got her name from her next marriage, to singer Johnny Horton, whom she married the following September.
Bloodhype – Pictures of Our Dead Intercom System (self-released)
by CHIRP Radio DJ and Features Co-Director Mick R (Listen to his most recent shows / Read his blog)
It has been said, that, “What doesn’t kill you, makes you weirder.” Now the person who said that was an actor, portraying a madman, in a major motion picture, but I defy you to find the lie.
Chicago’s electro-pop duo Asbestos Lead Asbestos takes this sentiment to the opposite extreme: If you want to live, you better prepare to get weird.
Named for a Meat Beat Manifesto masterpiece, the group boasts the talents of best buds Joey and Cassidy, who together form a human sound lab, conducting experiments at the outer limits of good taste while pumping out poignant, absurdist insights and Ableton-enabled, hip-hop night-terrors.
It’s perfect for disassociating with a can of rosé in a jacuzzi jerried out of a Waste Management container - in other words, it’s the soundtrack to your best possible life.
Bloodhype – Pictures of Our Dead Intercom System (self-released)